Simba, Ruarwe, 2009, age 25 |
A sudden rush of wind ruffles the Lake. The canoe rocks. Simba’s wife holds on to the sides. A baby is tied to her back. Thunder rumbles. Rain falls. Forked lightning crazes the sky. The clouds boil fiery-red. Whip-like cracks of thunder ricochet into the distance.
As a splinter of wood had works its way out from under the skin of a great, hoary hand, a small pale object emerges from the dark cloak of the storm. Simba paddles furiously, then in one cat-like leap bounds ashore, and hauls the canoe to rest. His wife clambers after him. Simba’s bulging muscles tremble with adrenaline, his eyes roll like marbles.
(All this happens in a phantasmagorically creation, whose proportions are infinite; a creation that exists through time, but is timeless, that destroys and rebuilds universes,\; a creation whose awesome beauty demands appreciation; a creation that enacts its role without malice or guile, no matter how savage and cruel it may appear to be)
The child is awake, cradled in its mother’s arms. She rocks it gently.
Anyone who has seen Walt Disney's, “The Lion King”, will be familiar with the character of the lion called Simba, which by no coincidence is the Swahili word for lion. Maybe it is a coincidence, however, that the Simba in my story resembles a lion. For example, when he gets excited, his voice booms in a gravely roar, and when he pulls himself proudly up to attention, strikes his chest with his fist, and says: “I am a soldier,” he exudes leonine prowess.
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